Every Last Drop

“[Charlie Huston’s] action scenes are unparalleled in crime fiction and his dialogue is so hip and dead-on that Elmore Leonard should be getting nervous.”
–Publishers Weekly (starred review), on Half the Blood of Brooklyn

It’s like this: a series of bullet-riddled bad breaks has seen rogue Vampyre and terminal tough guy Joe Pitt go from PI for hire to Clan-connected enforcer to dead man walking in a New York minute. And after burning all his bridges, the only one left to cross leads to the Bronx, where Joe’s brass knuckles and straight razor can’t keep him from running afoul of a sadistic old bloodsucker with a bad bark and a worse bite. Even if every Clan in Manhattan is hollering for Joe’s head on a stick, it’s got to be better than trying to survive in the outer-borough wilderness.

So it’s a no-brainer when Clan boss Dexter Predo comes looking to make a deal. All Joe has to do to win back breathing privileges on his old turf is infiltrate an upstart Clan whose plan to cure the Vyrus could expose the secret Vampyre world to mortal eyes and set off a panic-driven massacre. Not cool. But Joe’s all over it. To save the Undead future, he just has to wade neck-deep through all the archenemies, former friends, and assorted heavy hitters he’s crossed in the past. No sweat? Maybe not, but definitely more blood than he’s ever seen or hungered for. And maybe even some tears–over the horror and heartbreaking truth about the evil men do no matter who or what they are.

Praise for Charlie Huston and his Joe Pitt novels

“In conceiving his world (a New York City divided by vampire clans, each with different reasons to hate Pitt), Huston gives a fading genre a fresh afterlife. [Grade:] A.”
–Entertainment Weekly

“[Huston] creates a world that is at once supernatural and totally familiar, imaginative, and utterly convincing.”
–The Philadelphia Inquirer

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Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs