The Best Time Travel Stories of the 20th Century

LEAP INTO THE FUTURE, AND SHOOT BACK TO THE PAST

H. G. Wells’s seminal short story “The Time Machine,” published in 1895, provided the springboard for modern science fiction’s time travel explosion. Responding to their own fascination with the subject, the greatest visionary writers of the twentieth century penned some of their finest stories. Here are eighteen of the most exciting tales ever told, including

“Time’s Arrow” In Arthur C. Clarke’s classic, two brilliant physicists finally crack the mystery of time travel—with appalling consequences.

“Death Ship” Richard Matheson, author of Somewhere in Time, unveils a chilling scenario concerning three astronauts who stumble upon the conundrum of past and future.

“A Sound of Thunder” Ray Bradbury’s haunting vision of modern man gone dinosaur hunting poses daunting questions about destiny and consequences.

“Yesterday Was Monday” If all the world’s a stage, Theodore Sturgeon’s compelling tale follows the odyssey of an ordinary joe who winds up backstage.

“Rainbird” R. A. Lafferty reflects on what might have been in this brainteaser about an inventor so brilliant that he invents himself right out of existence.

“Timetipping” What if everyone time-traveled except you? Jack Dann provides some surprising answers in this literary gem.

. . . as well as twelve other stories, including 

“Time Locker” by Henry Kuttner • “I’m Scared” by Jack Finney • “A Gun for Dinosaur” by L. Sprague de Camp • “The Man Who Came Early” by Poul Anderson • “Leviathan!” by Larry Niven • “Anniversary Project” by Joe Halderman • “Fire Watch” by Connie Willis • “Sailing to Byzantium” by Robert Silverberg • “The Pure Product” by John Kessel • “Trapalanda” by Charles Sheffield • “The Price of Oranges” by Nancy Kress • “Another Story, or A Fisherman of the Inland Sea” by Ursula K. Le Guin

By turns frightening, puzzling, and fantastic, these stories engage us in situations that may one day break free of the bonds of fantasy . . . to enter the realm of the future: our future.

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Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs