A Hollywood Ending

NBA journalist Yaron Weitzman lays out the high stakes drama happening inside the Lakers' organization as they try to juggle the warring priorities between LeBron James and the Buss family.

When LeBron James signed with the Los Angeles Lakers in 2018, it looked like a match made in heaven. Here was the preeminent athlete of his generation, fresh off ending Cleveland’s 50-year title drought and in need of a new challenge to help further burnish his legacy, joining forces with one of the most iconic teams in all of sports. And here were the Lakers, in the midst of their worst stretch in franchise history and reeling from the death of the legendary owner Dr. Jerry Buss, in need of a savior. The script wrote itself.

A little over two years later, LeBron and Dr. Buss' daughter, Jeanie, were standing shoulder to shoulder, hoisting the NBA finals trophy into the air. Having won their record-tying 17th NBA title, the Lakers had reclaimed their accustomed perch on top of the basketball world. It looked to be the birth of a new dynasty.

But this was a new Lakers’ franchise, one beset by infighting and years removed from Kobe's prime. And this was LeBron James, the catalyst of the “player empowerment” era, an athlete chasing things greater than Michael Jordan’s ghost. The two parties were too big to peacefully coexist under one roof. The 2020 title would represent the pinnacle of their pairing, and the beginning of a precipitous decline.

Drawing from over 250 interviews, Yaron Weitzman takes readers on a riveting, behind the scenes journey of this fraught partnership. From the Succession-like power struggle between the Buss children, to the rise of LeBron’s landscape-altering talent agency and its attempts to assert its own power within the Lakers’ walls, to the evolution of LeBron’s priorities and political voice, “A Hollywood Ending” is the definitive story of an American icon’s final years on stage, one portraying him, a fabled NBA franchise, and the world of modern professional sports in a light never seen before.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs