Across the Universe

An entertaining and eye-opening look at the history of crossword puzzles, who constructs them, and why crosswords matter as both a reflection of and influence on our culture

"Should be at the top of every gift guide for word nerds and puzzle enthusiasts everywhere.” —Chicago Review of Books

“A gridful of insight and pleasure.”—Stefan Fatsis, bestselling author of Word Freak and Unabridged

From Wordle to Spelling Bee, we live in a time of word game mania. Crosswords in particular gained renewed popularity during the COVID-19 lockdown, when games became another kind of refuge. Today, 36 million Americans solve crosswords once a week or more, and nearly 23 million solve them daily. Yet, as longtime New Yorker crossword contributor Natan Last will tell you, the seemingly apolitical puzzle has never been more controversial—or more interesting.

A surprisingly ubiquitous influence in the worlds of art, literature, and technology, as Last demonstrates, the puzzle and its most popular purveyors—including publications such as The New York Times, still the gold standard for word games—have in recent years been challenged for the way they prioritize certain cultures and perspectives as the norm, demoting others to obscurity. At the same time, the crossword has never been more democratic. A larger, younger, more tech-savvy, and solidaristic group of people have fallen in love with puzzle solving, ushering in a more inclusive community of constructors and challenging the very idea of what is "normal."

With a critical eye toward the puzzle's history, Natan Last explores the debates about the future of the crossword and investigates those who are determining its next phase, ultimately asking if the crossword can help us reshape the world. Across the Universe interrogates all the ways words—and the games we make using those words—change our culture, while bringing us into the world of those pushing for the crossword's much-needed evolution.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs