Baby of the Family

A wry and addictive debut about a modern-day American dynasty and its unexpected upheaval when the patriarch wills his dwindling fortune to his youngest, adopted son—setting off a chain of events that unearths secrets and tests long-held definitions of love and family.
 
The money is old, the problems are new.
 
Meet the Whitbys: an American dynasty once inundated with ungodly real estate wealth and now facing a new millennium of unfamiliar obstacles.
 
There was a time when the death of a Whitby would have made national news, but when the family patriarch, Roger, dies, he is alone. Word of his death travels from the long-suffering family lawyer to Roger’s clan of children (from four different marriages), and the outlook isn’t good. Roger has left everything to his twenty-one-year-old son Nick, a Whitby only in name—and Nick is nowhere to be found.
 
Brooke, an older daughter who is both overwhelmingly nostalgic and unexpectedly pregnant, leads the search for Nick, hoping to convince him to let her keep her Boston home. Shelley, the only child from the third marriage, hasn’t told anyone that she’s dropped out of college just months before graduation and is currently working as an amanuensis for a blind architect, with whom she crosses complicated boundaries. And when Nick, on the run from the law after a misguided act of political activism, finally appears at Shelley’s New York home, worlds collide and explode in spectacular fashion. Soon, the three siblings are faced with the question they have been running from their whole lives: What do they want their future to look like, if they can finally escape their past?
 
Weaving together multiple perspectives to create a portrait of the American dream gone awry, Baby of the Family is a vivid, absorbing debut about family secrets and how they define us, bind us together, and threaten to blow us apart.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs