Best African American Essays 2010

Here is the superb second edition of the annual anthology devoted to the best nonfiction writing by African American authors—provocative works from an unprecedented and unforgettable year when truth was stranger (and more inspiring) than fiction.
 
The galvanizing election of Barack Obama was on the minds—and the pages—of authors everywhere. Best African American Essays 2010 features the insights of writers from Juan Williams to Kelefa Sanneh and even Obama himself (his seminal speech on race is included here in its entirety). Ta-Nehisi Coates, in The Nation, proclaims that the president has "redefined blackness for white America," while Adolph Reed, Jr., in The Progressive, calls him a "vacuous opportunist" and Colson Whitehead, in The New York Times, lightheartedly revels in the election of "someone who looked like me . . . slim." The First Lady is considered, too, as Lauren Collins, in The New Yorker, assesses the radical quality of Michelle Obama's very normalcy.

But Best African American Essays 2010 goes beyond the Obamas with brilliant pieces from such writers as Hua Hsu, who declares the end of white America in "a new cultural mainstream which prizes diversity above all else"; Henry Louis Gates, who researches his family tree, adding to the "young discipline" that is African American history; and Jelani Cobb, who dares to defend George W. Bush. There are thoughtful and heartfelt tributes to living legends, including Bill Cosby (and an analysis of his famous "pound cake" speech, which promoted black responsibility, empowerment, and self-esteem), and remembrances of those who have passed, including Miriam Makeba, Isaac Hayes, Eartha Kitt, and Michael Jackson.

Selected by guest editor Randall Kennedy, a leading intellectual and legal scholar, the wide-ranging pieces in Best African American Essays 2010 comprise a thrilling collection that anyone who wishes to understand the meaning of the new America must own.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

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Here's a brief overview of the main types:

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The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs