Christmas at Honeycombe Bay

Two Scrooges come together for a festive-free holiday season by the sea and find all their anti-Christmas plans going up in smoke when they decide to play Santa for a single mom and her child.

Eloise Garrett thinks Christmas is overpriced, overhyped, and overrated, and without any family to share it with, she feels sad, lonely and isolated. The “season for giving” is just a constant reminder that she’s single, sixty(ish), and staring down retirement. But not this Christmas. Determined to avoid the most magical time of the year, Eloise decides to spend Christmas in Honeycombe Bay. Surely a seaside village in the middle of winter won’t be too festive?

Ever since his wife passed away, Bartholomew Knott hasn’t felt up to welcoming visitors to his guest house. With the prospect of another long, lonely winter, and having become more Scrooge than Santa over the years, Bart is dreading Christmas. However, when he’s contacted by someone who dislikes decking the halls just as much as he does, Bart has the brilliant idea of opening the guest house to people who want to escape all things festive.

Christmas isn’t easy to ignore, though, not even in off-season Honeycombe Bay. So when fate forces Bart to give shelter to a single mother and child whose holiday has been devastated by a terrible fire, Eloise finds herself playing Mrs. Claus to Bart’s Santa—dragging the house’s other guest, a heartbroken teacher looking for a break during the holidays, into the action as well. But holiday cheer isn’t the only thing sparking under the mistletoe. Will the guests at Honeycombe Bay realize that, sometimes, the best way to escape Christmas is to let it into your heart?

Christmas at Honeycombe Bay features two heartwarming romances and all the holiday romance tropes including: a small-town that is “all in” for Christmas, a later in life romance, a widower hero, forced proximity in a charming B&B, a grumpy/sunshine couple with a single mom character, and plenty of carols, cocoa, and decking the halls.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs