Random House Publishing Group
Crazy Like a Fox
Crazy Like a Fox
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ABOUT
As the calendar turns, the crisp October winds bode well for this year’s hunting season. But before the bugle sounds, Sister Jane takes a scenic drive up the Blue Ridge Mountains for a board meeting at the Museum of Hounds and Hunting. Brimming with colorful stories and mementos from hunts of yore, the mansion is plunged into mystery when a venerable hunting horn is stolen right out of its case. The only clue, on a left-behind cell phone, is what seems to be a “selfie” video of the horn’s original owner, Wesley Carruthers—deceased since 1954.
Odder still, Wesley’s body was never found. When Sister makes a discovery that may explain his unsolved disappearance, it leads her back to the Jefferson Hunt at midcentury, with her faithful hounds at her side. But as the clues quickly mount, Sister is no longer sure if she’s pursuing a priceless artifact, a thief, Wesley’s killer . . . or a ghost. The only certainty is that someone wants to put Sister off the chase—perhaps permanently.
Teeming with familiar and beloved characters, intrigue, and the rich local history of Virginia’s horse country, Crazy Like a Fox races toward its stunning conclusion in full cry and packed with plenty of surprises. Once again, Rita Mae Brown dazzles and delights in her irresistible style, with a novel readers are certain to be crazy about.
Praise for Crazy Like a Fox
“If you can pick up Crazy Like a Fox and recognize the voices of Comet, a wise old gray fox; Dasher, a hound at the top of his game; and Golliwog, a snippy calico cat, you qualify as a member of the pack that surrounds Sister Jane Arnold, Master of Jefferson Hunt and the sleuth in Rita Mae Brown’s enchanting novels set in the Virginia horse country. . . . Just the kind of story that adds to the charm of Brown’s whimsical mysteries, with their thrilling hunts and intelligent animals.”—The New York Times Book Review
“Brown’s animal characters, including horses, hounds, and foxes, have as much to say as the people, and Brown never misses an opportunity to interject her own social commentary. This will appeal . . . to fans of Brown’s Sneaky Pie novels.”—Publishers Weekly
STANDARD, PRIMARY, DM AND VARIANT COVERS
Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.
In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.
The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.
PRODUCT TYPES
Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:
Omnibus
- Large, hardcover collections
- Usually contain complete runs or extensive story arcs
- Typically 800-1000+ pages
- Higher price point, often €100-€150
Oversized Hardcover (OHC)
- Similar dimensions to omnibus, but thinner
- Collect shorter runs or story arcs
- Usually 300-600 pages
- Priced between €30-€50
Hardcover (HC)
- Standard-sized hardcover books
- Collect 6-12 issues typically
- Similar dimensions to single issues, but with a hard cover
- Priced around €25-€35
Trade Paperback (TP)
- Softcover collections
- Standard comic book size
- Usually collect 4-6 issues
- Most affordable option, typically €15-€25
Other Formats
- Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
- Compendiums: Massive paperback collections
- Graphic Novels (OGN/GN): Original stories not previously released as single issues
The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs