Crime Novels of the 1960s

Library of America presents a deluxe edition of unforgettable crime thrillers of the 1960s

Here in two volumes are 9 timeless novels, including 4 lost classics now restored to print

In the 1960s a number of gifted writers—some at the peak of their careers, others newcomers—reimagined American crime fiction. Here are nine novels of astonishing variety and inventiveness that pulse with the energies of that turbulent, transformative decade:

• Fredric Brown’s The Murderers (1961), a darkly comic look at a murderous plot hatched on the hip fringes of Hollywood.
• Dan J. Marlowe’s terrifying The Name of the Game Is Death (1962), about a nihilistic career criminal on the run
• Charles Williams’s Dead Calm (1963), a masterful novel of natural peril and human evil on the high seas.
• Dorothy B. Hughes’s The Expendable Man (1963), an unsettling tale of racism and wrongful accusation in the American Southwest.
• Richard Stark’s taut The Score (1964), in which the master thief Parker plots the looting of an entire city with the cool precision of an expert mechanic.
• The Fiend (1964), in which Margaret Millar maps the interlocking anxieties of a seemingly tranquil California suburb through the rippling effects of a child’s disappearance.
• Ed McBain’s classic police procedural Doll (1965), a breakneck story that mixes murder, drugs, fashion models, and psychotherapy with the everyday professionalism of the 87th Precinct.
• Run Man Run (1966), Chester Himes’s nightmarish tale of racism and police violence that follows a desperate young man seeking safe haven in New York City while being hunted by the law.
• Patricia Highsmith’s ultimate meta-thriller, The Tremor of Forgery (1969), a novel in which a displaced traveler finds his own personality collapsing as he attempts to write a novel about a man coming undone.

Each volume features an introduction by editor Geoffrey O'Brien (Hardboiled America), newly researched biographies of the writers and helpful notes, and an essay on textual selection.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs