Penguin Publishing Group
Dead End Gene Pool
Dead End Gene Pool
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ABOUT
For generations the Burdens were one of the wealthiest families in New York, thanks to the inherited fortune of Cornelius "The Commodore" Vanderbilt. By 1955, the year of Wendy's birth, the Burdens had become a clan of overfunded, quirky and brainy, steadfastly chauvinistic, and ultimately doomed blue bloods on the verge of financial and moral decline-and were rarely seen not holding a drink.
When her father commits suicide when Wendy is six, she and her brother are told nothing about it and are shuffled off to school as if it were any other day. Subsequently, Wendy becomes obsessed with the macabre, modeling herself after Wednesday Addams of the Addams family, and decides she wants to be a mortician when she grows up. Just days after the funeral, her mother jets off to southern climes in search of the perfect tan, and for the next three years, Wendy and her two brothers are raised mostly by a chain-smoking Scottish nanny and the long suffering household staff at their grandparent's Fifth Avenue apartment. If you think Eloise wreaked havoc at The Plaza you should see what Wendy and her brothers do in "Burdenland"-a world where her grandfather is the president of the Museum of Modern Art; the walls are decorated with originals of Klee, Kline, Mondrian, and Miro; and Rockefellers are regular dinner guests.
The spoiled life of the uber-rich that they live with their grandparents is in dark contrast to the life they live with their mother, a brilliant Radcliffe grad and Daughter of the American Revolution, who deals with having two men's suicides on her conscience by becoming skinnier, tanner, blonder, and more steeped in bitter alcoholism with every passing year.
We watch Wendy's family unravel as she travels between Fifth Avenue, Virginia horse country, Mount Desert Island in Maine, the Jupiter Island Club, London, and boarding school, coming through all of it surprisingly intact. Rife with humor, heartbreak, family intrigue, and booze, Dead End Gene Pool offers a glimpse into the eccentric excess of old money and gives truth to the old maxim: The rich are different.
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STANDARD, PRIMARY, DM AND VARIANT COVERS
Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.
In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.
The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.
PRODUCT TYPES
Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:
Omnibus
- Large, hardcover collections
- Usually contain complete runs or extensive story arcs
- Typically 800-1000+ pages
- Higher price point, often €100-€150
Oversized Hardcover (OHC)
- Similar dimensions to omnibus, but thinner
- Collect shorter runs or story arcs
- Usually 300-600 pages
- Priced between €30-€50
Hardcover (HC)
- Standard-sized hardcover books
- Collect 6-12 issues typically
- Similar dimensions to single issues, but with a hard cover
- Priced around €25-€35
Trade Paperback (TP)
- Softcover collections
- Standard comic book size
- Usually collect 4-6 issues
- Most affordable option, typically €15-€25
Other Formats
- Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
- Compendiums: Massive paperback collections
- Graphic Novels (OGN/GN): Original stories not previously released as single issues
The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs