Knopf Doubleday Publishing Group
Deadwood
Deadwood
Couldn't load pickup availability

Collapsible content
ABOUT
"In these pungent pages, you can smell the whiskey, the gunsmoke, the horse lather, the gold dust, and the mining chemicals . . . A fine non-fiction narrative that's as alluring as its subject.” —Hampton Sides
"If you thought HBO’s television series of the same name was hyperbolic, buckle in . . . The TV characters were all real and they’re all here . . . Milch’s Deadwood is Shakespearean; Cozzens’s is all verifiable fact, yet it loses nothing in the straighter telling . . . [A] fast-paced and unbelievable-if-it-weren't-true story." --Carl Hoffman, The Washington Post
Sifting through layers and layers of myth and legend—from nineteenth-century dime novels like Deadwood Dick, to HBO prestige dramas to the casino billboards outside of present-day Deadwood—Peter Cozzens unveils the true face of Deadwood, South Dakota, the storied mining town that sprang up in early 1876 and came raining down in ashes only three years later, destined to become food for the imagination and a nostalgic landmark that now brings in more than two and a half million visitors each year.
That Western romance, we’re reminded by Cozzens—the prizewinning author of The Earth Is Weeping—retains its allure only as long as we willfully ignore the town’s foundational sins. Built on land brazenly stolen from the Lakotas, Deadwood was not merely a place where outlaws lurked, like Tombstone or Dodge City, but was itself an outlaw enterprise, not part of any U.S. territory or subject to U.S. laws or governance. This gave rise to the gunslinging, stagecoach robbing, whiskey guzzling, rampant prostitution, and gambling Deadwood is known for. But it also bred a self-reliance and a spirit of cooperation unique on the frontier, and made it an exceptionally welcoming place for Black Americans and Chinese immigrants at a time of deep-seated discrimination.
The first book to tell this complex story in full, Deadwood reveals how one frontier town came to embody the best and worst of the West—a relic of humanity’s eternal quest to create order from chaos, a greater good from individual greed, and security from violence.
STANDARD, PRIMARY, DM AND VARIANT COVERS
Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.
In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.
The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.
PRODUCT TYPES
Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:
Omnibus
- Large, hardcover collections
- Usually contain complete runs or extensive story arcs
- Typically 800-1000+ pages
- Higher price point, often €100-€150
Oversized Hardcover (OHC)
- Similar dimensions to omnibus, but thinner
- Collect shorter runs or story arcs
- Usually 300-600 pages
- Priced between €30-€50
Hardcover (HC)
- Standard-sized hardcover books
- Collect 6-12 issues typically
- Similar dimensions to single issues, but with a hard cover
- Priced around €25-€35
Trade Paperback (TP)
- Softcover collections
- Standard comic book size
- Usually collect 4-6 issues
- Most affordable option, typically €15-€25
Other Formats
- Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
- Compendiums: Massive paperback collections
- Graphic Novels (OGN/GN): Original stories not previously released as single issues
The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs