Elizabeth Spencer: Novels & Stories (LOA #344)

On her centennial, a contemporary of Flannery O’Connor and Harper Lee joins the Library of America with a volume that restores to print her searing novel about the late Jim Crow South


Elizabeth Spencer (1921-2019) was a major figure of the Southern Renaissance, though today her many books and stories are scattered or out of print. This Library of America volume brings together the very best of her writing--three novels and nineteen stories--from a career spanning more than six decades.

The Voice at the Back Door (1957), greeted by The New Yorker as "a practically perfect novel" and here restored to print, portrays small-town life in Mississippi during the late Jim Crow era and the self-interest and hatred that kept injustice firmly in place. Published two years after the Emmett Till lynching, it captures the spitting vehemence of its white characters' speech and may have been proven too potentially controversial for the Pulitzer board (which awarded no prize in 1957). Also included in this volume are The Light in the Piazza (1960), Spencer's most famous work, a deftly poignant comedy about Americans abroad that was adapted to the screen by Guy Green; and a second superb Italian novella, Knights and Dragons (1965), reminiscent of Henry James's novels in its atmosphere, interiority, and concern with transplanted Americans.

Spencer excelled in the short story form and this volume presents a career-spanning selection by editor Michael Gorra that ranges from the early "First Dark" (1959), a kind of ghost story about a spectral oversized house in a Southern town, to the valedictory "The Wedding Visitor" (2013), about the refusal to let the all-enveloping world of place, family, and childhood define one's adult life. Spencer's special focus was families, and few writers have so brilliantly plumbed the passions that unite them and the inner upheavals that can tear them apart.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs