End of August

A captivating, multigenerational debut novel of a young woman navigating the personal trauma that ties herself, her nomadic mother, and her alcoholic grandmother together, perfect for fans of Ask Again, Yes and What the Fireflies Knew.

1979. Fifteen-year-old Aurora Taylor’s single mother prefers to leave when things get hard. She’s spent years abandoning bad boyfriends and dead-end jobs, without so much as a glance in the rearview mirror. After fifteen years in the passenger seat, Aurora needs more than two hands to count the towns she’s lived in. She’s learned to live small—it’s easier to leave when you don’t need to say goodbye. So when her mother, Laine, shows up at school with the car loaded, Aurora assumes her latest fling has run its course. Instead, it’s her grandpa Jay’s death calling them back to the town Laine has spent fifteen years running from.

Every visit to Monroe, Indiana, ends in an explosive fight. Her mother and her Gran are oil and water, and it doesn’t take Aurora long to realize Gran has fallen off the wagon—again. With Gran drinking and Laine’s discomfort in the little blue house, Aurora gives their visit a week, tops. But when Laine begins an affair with the town’s married mailman, everything changes. While her mom falls in love with a man she can’t have, Aurora has time to fall in love with the town. Her life begins to feel full—she has a friend to call her own, a gran who loves her, and a picture-perfect pastor’s son who sees Aurora as more than “Laine’s daughter.” It’s everything she never let herself dream about.

As the summer months march on, and her mom’s happiness becomes even more dependent on her unstable new relationship, Aurora worries the dream she allowed herself will end in heartbreak. This isn’t just another map dot on their endless journey, and Laine won’t just burn a bridge this time. Her choices threaten to light the town on fire, burning Gran’s hope, Aurora’s future, and her own chance at redemption to the ground with it.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs