Everyone a Stranger

A young war widow is unwittingly drawn into a sinister web of intrigue and murder in this taut, unexpected, masterfully plotted historical thriller set in WWII-era Seattle, where the enemy may be closer than anyone thinks. A crafty, addictive read for fans of The Americans, Anna Pitoniak, Graham Moore, and Elizabeth Wein.

“I gobbled up Everyone a Stranger, with its ever-expanding sense of danger, its cool evocation of 1940s Seattle, and its indelible cast of characters—both shady and smart.” – JESS WALTER, # 1 New York Times bestselling author of The Cold Millions

Washington D.C., 1943: Virginia Abrams believed the war had taken all it could from her when her husband was killed at Guadalcanal. One year later, she’s in a dark, unexpected quandary—pregnant and on the run to avoid a ruthless political family that wants to erase all connections between her and the man who assaulted her.

Changing her name, Virginia moves to Seattle to start over. Against her better instincts, she’s pulled into the lives of her new neighbors in an apartment complex—especially Tim, a young boy whose mother dies suddenly in a fall. Virginia fears that her whereabouts have been discovered, and she was the intended target . . .

But there are secrets between the residents too—stormy affairs, mysterious visitors, whispers and rumors. Tim is convinced there are saboteurs among them, hiding in plain sight. Virginia wants to discount his teenage imagination and her own rising paranoia, yet there’s something menacing here . . .

Torn between wanting to help the boy and safeguarding her anonymity, Virginia tentatively begins piecing the puzzle together with the help of some of her neighbors. But now others are dying in an escalating series of “accidents.” No one is entirely who they seem to be. No one can be trusted. And though she doesn’t know it yet, her own life is hanging by the thinnest thread . . .

“A page-turning masterclass in storytelling— historically captivating, emotionally rich, and crackling with slow-burn menace.” – JAMIE FORD, New York Times bestselling author of The Many Daughters of Afong Moy

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs