Beacon Press
Faux Feminism
Faux Feminism
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ABOUT
For readers of Hood Feminism and Against White Feminism, an incisive examination of why the pillars of feminism have eroded—and how all women, not just the #girlbosses, can rebuild them
After over 175 years, the feminist movement, now in its fourth wave, is at risk of collapsing on its eroding foundation. In Faux Feminism, political philosopher Serene Khader advocates for another feminism—one that doesn’t overwhelmingly serve white, affluent #girlbosses. With empathy, passion, and wit, Khader invites the reader to join her as she excavates the movement’s history and draws a blueprint for a more inclusive and resilient future.
A feminist myth buster, Khader begins by deconstructing “faux feminisms.” Thought to be the pillars of good feminism, they may appeal to many but, in truth, leave most women behind. Khader identifies these traps that white feminism lays for us all, asking readers to think critically about
–The Freedom Myth: The overarching misconception that feminism is about personal freedom rather than collective equality
–The Individualism Myth: The pervasive idea that feminism aims to free individual women from social expectations
–The Culture Myth: The harmful misconception that “other” cultures restrict women’s liberation
–The Restriction Myth: The flawed belief that feminism is a fight against social restrictions
–The Judgment Myth: The fallacy of celebrating women’s choices without first interrogating the privileges afforded or denied to the women
In later chapters, Khader draws on global and intersectional feminist lessons of the past and present to imagine feminism’s future. She pays particular attention to women of color, especially those in the Global South. Khader recounts their cultural and political stories of building a more inclusive framework in their societies. These are the women, she argues, from whom today’s feminists can learn.
Khader’s critical inquiry begets a new vision of feminism: one that tackles inequality at the societal, not individual, level and is ultimately rooted in community.
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STANDARD, PRIMARY, DM AND VARIANT COVERS
Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.
In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.
The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.
PRODUCT TYPES
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Here's a brief overview of the main types:
Omnibus
- Large, hardcover collections
- Usually contain complete runs or extensive story arcs
- Typically 800-1000+ pages
- Higher price point, often €100-€150
Oversized Hardcover (OHC)
- Similar dimensions to omnibus, but thinner
- Collect shorter runs or story arcs
- Usually 300-600 pages
- Priced between €30-€50
Hardcover (HC)
- Standard-sized hardcover books
- Collect 6-12 issues typically
- Similar dimensions to single issues, but with a hard cover
- Priced around €25-€35
Trade Paperback (TP)
- Softcover collections
- Standard comic book size
- Usually collect 4-6 issues
- Most affordable option, typically €15-€25
Other Formats
- Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
- Compendiums: Massive paperback collections
- Graphic Novels (OGN/GN): Original stories not previously released as single issues
The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs