Fireweed

"Unflinching and quietly devastating."—The Seattle Times

"[A] spiky and unnerving thriller."—The Brooklyn Rail

"Haddad’s debut novel shows off her mastery of prose and physical description, infusing each page with believable realism."—Associated Press

In the mowed-down industrial north of Prince George, Canada, “white trash” housewife Jenny Hayes shares a fence with the only First Nations woman in the neighborhood, Rachelle, and her two little girls. Jenny desperately wants a child and can’t understand why Rachelle, with her trash-pocked and overgrown yard, should have what Jenny wants most in the world. But Jenny tries to suppress her judgment as she has with her mother Fi, a cougar who chain smokes cigarettes instead of changing the full diapers of her boyfriend’s kids, and Missy, her best friend with Juicy Couture pulled tight over her baby bump and an unfurnished McMansion. Instead, she volunteers to babysit Rachelle’s girls— brushing hair, folding laundry, and ignoring the stilettos tucked under the bed in Rachelle’s disheveled home.

But when two young women—the strawberry blonde, blue-eyed Beth Tremblay and Jenny’s own neighbor, Rachelle—disappear along Highway 16, only Beth’s face and name are plastered on billboards and broadcasted over the air. Rachelle’s daughters are carted off by the state, and Jenny takes it upon herself to investigate. After all, Jenny thinks, who else is looking for her pariah of a neighbor? Jenny stutters through police encounters, asks the people living on the Rez all the wrong questions and ultimately faces—alongside the reader—the complicated motive behind her “investigation.”

With great awareness and care, Lauren Haddad’s portrait of Jenny brilliantly exposes first our impulse to seek the myths—as opposed to the realities—of race, class, and gender oppression in rural communities, and the consequences when our concern for others is clouded by self-preoccupation. Gripping, unflinching, and rebellious, Fireweed begs the question: just how good are our good intentions?

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs