Goddess of Love Incarnate

Lili St. Cyr was, in the words of legendary reporter Mike Wallace, the "highest paid stripteaser in America." Wallace was so fascinated by Lili that out of all the presidents and celebrities he interviewed over a long career, towards the end of his life, she was the one he remained fixated on. Her beauty had that kind of effect.



Lili St. Cyr, the one time queen of burlesque, led an incredible life –six marriages, romances with Orson Wells, Yul Brenner, Vic Damone, a number of suicide attempts, all alongside great fame and money. Yet despite her fierce will she lost it all; becoming a recluse in her final decades, she eked out a living selling old photos of herself living with magazines taped over her windows.



Goddess of Love Incarnate will be the definitive biography of this legendary figure, done with the cooperation of Lili's only surviving relative. But the book does more than fascinate readers with stories of a byone era. St. Cyr was ahead of her time in facing the perils and prejudices of working women, and the book offers a portrait of a strong artistic figure who went against the traditional roles and mores expected of women at that time St. Cyr was the first stripper to work in the swanky nightclubs on Sunset Boulevard. She was the first stripper to work Las Vegas. She was at the top of her game for over thirty years. And though she would feel conflicted by it, as do many women who feel the push/pull of careers – especially controversial, button–pushing careers – Lili would dismiss what she did as having no importance. But she wouldn't give it up – not for millionaires and most certainly not for love.



Based on years of research, Goddess of Love Incarnate contains information and memorabilia that was almost lost forever. As an award winning documentary filmmaker and expert writer, Zemeckis brings St. Cyr back to life the way no other writer can, restoring Lili to her rightful place in American history.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs