Random House Publishing Group
House of the Hunted
House of the Hunted
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ABOUT
Côte d’Azur, France, 1935: As Europe moves inexorably toward war, Tom Nash feels pleasantly removed, pursuing a quiet writing career on an idyllic stretch of the French Riveria. A former intelligence operative for the British government, Tom now finds refuge among the lively seaside community of expats and artists, hoping to put the worst deeds from his job—and memories of the woman he once loved—far behind him. But Tom’s peaceful existence is shattered when an unknown hit man tries to kill him in his sleep. Tom is sure that somebody knows his secrets, and that this attempt on his life won’t be the last.
Relying on his instincts for self-preservation, Tom suspects everyone of double-dealing, even people he considers his friends: the Russian art dealers from Paris, the exiled German dissidents, even his former boss and closest confidant. And as he plunges further into his haunted past, Tom feels himself turning into the person he used to be—a dangerous man, capable of anything.
Combining vividly drawn characters and gripping acts of espionage, House of the Hunted is a superbly crafted novel by an exceptional and versatile storyteller.
Praise for House of the Hunted
“Suspenseful and romantic . . . reminiscent of some of the best spy novels of the past.”—CNN
“A wild-fire hybrid of John le Carré and Ernest Hemingway . . . an excellent read for those who enjoy both espionage and literary thrillers.”—Bookreporter
“[Mark] Mills is a polished stylist with a singular talent for capturing the defining moment when something precious is about to be lost forever.”—The New York Times Book Review
“This is bloody brilliant. . . . A masterpiece of espionage fiction that fully thrills, while evoking a time and place with the assurance of Alan Furst’s forays into prewar Europe. This novel is beautifully crafted, breathless, and immensely satisfying.”—Olen Steinhauer, New York Times bestselling author of The Tourist and The Nearest Exit
“Explosive . . . a terse, carefully plotted journey [that will] have you guessing until the very end.”—Oprah.com
“Mesmerizing . . . [Mills’s] best work in an already accomplished career.”—The Independent
STANDARD, PRIMARY, DM AND VARIANT COVERS
Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.
In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.
The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.
PRODUCT TYPES
Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:
Omnibus
- Large, hardcover collections
- Usually contain complete runs or extensive story arcs
- Typically 800-1000+ pages
- Higher price point, often €100-€150
Oversized Hardcover (OHC)
- Similar dimensions to omnibus, but thinner
- Collect shorter runs or story arcs
- Usually 300-600 pages
- Priced between €30-€50
Hardcover (HC)
- Standard-sized hardcover books
- Collect 6-12 issues typically
- Similar dimensions to single issues, but with a hard cover
- Priced around €25-€35
Trade Paperback (TP)
- Softcover collections
- Standard comic book size
- Usually collect 4-6 issues
- Most affordable option, typically €15-€25
Other Formats
- Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
- Compendiums: Massive paperback collections
- Graphic Novels (OGN/GN): Original stories not previously released as single issues
The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs