HURRICANE NANCY

Nancy Burton was among the earliest underground cartoonists, creating comic strips that appeared in The East Village Other (“Gentle’s Tripout”) and Gothic Blimp Works ("Busy Boxes”) in 1966. Under the pen names “Panzika” and “Nancy Kalish” and most importantly, “Hurricane Nancy,” she contributed to many notable underground comix including It Ain’t Me, Babe. Drawing on abstract expressionism, art nouveau and formline art, working in parallel to the psychedelic art movement and outsider artists like Consuelo “Chelo” Amezcua, Burton’s comics feature birds and people, dreamlike landscapes, and psychedelic imagery that grows darker as the 1960s come to a close, reflecting the darkening mood of the era and her uniquely personal vision of the world. Burton stopped making art in the early 1970s and seemed to disappear, having met few cartoonists during her short tenure but making an impression on many with her unique psychedelic approach. In 2009 she began drawing again, posting artwork online without explanation and though many aspects of her work had changed, it remained indelibly her own. Hurricane Nancy is the first collection of Burton’s work ever published and reprints many of her comics and drawings from that politically tumultuous and creatively fecund period of American culture in addition to her more recent work. In an exclusive interview, Burton talks about her travels and influences, the origins of her pen names, close encounters with Timothy Leary and the Grateful Dead, the Monterey Pop Festival and the Summer of Love, and explains for the first time why she not just abandoned comics in the early ‘70s, but stopped making art entirely. (Cover Image blurred due to public viewing)

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Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs