In the Upper Country

*WINNER OF THE 2023 WRITER'S TRUST ATWOOD GIBSON PRIZE*
SHORTLISTED FOR THE GOVERNER GENERAL'S AWARD FOR FICTION
SHORTLISTED FOR THE AMAZON CANADA FIRST NOVEL AWARD
SHORTLISTED FOR THE RAKUTEN KOBO EMERGING WRITER PRIZE
SHORTLISTED FOR THE 2024 HURSTON/WRIGHT LEGACY AWARD IN DEBUT FICTION
SHORTLISTED FOR THE 2024 WALTER SCOTT HISTORICAL FICTION AWARD

The fates of two unforgettable women—one just beginning a journey of reckoning and self-discovery and the other completing her life's last vital act—intertwine in this sweeping, powerful novel set at the terminus of the Underground Railroad.

In the 1800s in Dunmore, a Canadian town settled by people fleeing enslavement in the American south, young Lensinda Martin works for a crusading Black journalist.

One night, a neighboring farmer summons Lensinda after a slave hunter is shot dead on his land by an old woman who recently arrived via the Underground Railroad. When the old woman refuses to flee before the authorities arrive, the farmer urges Lensinda to gather testimony from her before she can be condemned for the crime.

But the old woman doesn't want to confess. Instead she proposes a barter: a story for a story. And so begins an extraordinary exchange of tales that reveal an interwoven history of Black and Indigenous peoples in a wide swath of what is called North America.

As time runs out, Lensinda is challenged to uncover her past and face her fears in order to make good on the bargain of a story for a story. And it seems the old woman may carry a secret that could shape Lensinda's destiny.

Traveling along the path of the Underground Railroad from Virginia to Michigan, from the Indigenous nations around the Great Lakes, to the Black refugee communities of Canada, In the Upper Country weaves together unlikely stories of love, survival, and familial upheaval that map the interconnected history of the peoples of North America in an entirely new and resonant way.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs