Random House Publishing Group
Kill the Messenger
Kill the Messenger
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ABOUT
At the end of a long day battling street traffic, bike messenger Jace Damon has one last drop to make. But en route to delivering a package for one of L.A.'s sleaziest defense attorneys, he's nearly run down by a car, chased through back alleys, and shot at. Only the instincts acquired while growing up on the streets of L.A. allow him to escape with his life—and with the package someone wants badly enough to kill for.
Jace returns to Lenny Lowell's office only to find the cops there, the lawyer dead, and Jace himself considered the prime suspect in the savage murder. Suddenly he's on the run from both the cops and a killer, and the key to saving himself and his ten-year-old brother is the envelope he still has—which holds a message no one wants delivered: the truth.
In a city fueled by money, celebrity, and sensationalism, the murder of a bottom-feeding mouthpiece like Lenny Lowell won't make the headlines. So when detectives from the LAPD's elite robbery/homicide division show up, homicide detective Kev Parker wants to know why. Parker is on the downhill slide of a once-promising career, and he doesn't want to be reminded that he used to be one of the hotshots, working cases that made instant celebrities of everyone involved. Like the case of fading retty-boy actor Rob Cole, accused of the brutal murder of his wife, Tricia Crowne-Cole, daughter of one of the most powerful men in the city, L.A.'s latest "crime of the century."
Robbery/Homicide has no reason to be looking at a dead small-time scumbag lawyer or chasing a bike messenger...unless there's something in it for them. Maybe Lenny Lowell had a connection to something big enough to be killed for. Parker begins a search for answers that will lead him to a killer—or the end of his career. Because if there's one lesson he's learned over the years, it's that in a town built on fantasy and fame, delivering the truth can be deadly.
STANDARD, PRIMARY, DM AND VARIANT COVERS
Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.
In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.
The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.
PRODUCT TYPES
Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:
Omnibus
- Large, hardcover collections
- Usually contain complete runs or extensive story arcs
- Typically 800-1000+ pages
- Higher price point, often €100-€150
Oversized Hardcover (OHC)
- Similar dimensions to omnibus, but thinner
- Collect shorter runs or story arcs
- Usually 300-600 pages
- Priced between €30-€50
Hardcover (HC)
- Standard-sized hardcover books
- Collect 6-12 issues typically
- Similar dimensions to single issues, but with a hard cover
- Priced around €25-€35
Trade Paperback (TP)
- Softcover collections
- Standard comic book size
- Usually collect 4-6 issues
- Most affordable option, typically €15-€25
Other Formats
- Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
- Compendiums: Massive paperback collections
- Graphic Novels (OGN/GN): Original stories not previously released as single issues
The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs