No Contact

“A landmark work around a theme so prominent—and yet so thoroughly ignored—in modern life.” —Ocean Vuong

A poignant and galvanizing anthology that illuminates the realities and nuances of family estrangement, with pieces by Stephanie Foo, Nick Flynn, Deesha Philyaw, Cheryl Strayed, and others

Estrangement presents an essential existential question: who are we without our family? What kind of person cuts the proverbial umbilical cord and why? And who do we become, once untethered from our kin?

Families fall apart and individuals cut ties for myriad reasons—abuse, politics, mental illness, and addiction, among others—and reunification often is not in the cards. Estrangement can be a positive change, as Emi Nietfeld explains in her essay about finding relief and logic after cutting off her mother. It can be a journey: noam keim rebuilds their sense of self by learning Arabic in their ancestral homeland of Morocco, while Nicole Graev Lipson searches for answers in literature and motherhood after her brother ghosts her. Other writers explore how estrangement complicates life’s big shifts—Domenica Ruta traces the repercussions of severing ties while battling cancer; Hannah Bae reels from the prospect of cultural alienation when she cuts off her Korean parents; and after twenty years of separation, Soni Brown reluctantly becomes her mother’s caretaker as dementia erases her memory.

Through thirty-two intimate, first-person accounts, No Contact counters the prevalent trope of reconciliation as a happy ending, focusing instead on the complex grief, healing, and authenticity found in the rupture from family.

Featuring work by Hannah Bae, Eben E. B. Bein, Soni Brown, Lorne Daniel, Lindsey Danis, Michelle Dowd, Nick Flynn, Stephanie Foo, Gabriela Denise Frank, Susan Ito, Danielle Jernigan, noam keim, Erika Krouse, Monique Laban, Cassandra Lewis, Kate Lewis, Nicole Graev Lipson, Tiffany Aldrich MacBain, Jamal Mahjoub, Onita Morgan-Edwards, Emi Nietfeld, Geneva Phillips, Deesha Philyaw, Anna Qu, Domenica Ruta, Oslyn Serratos, Alyson Shelton, Cheryl Strayed, Mattilda Bernstein Sycamore, Raksha Vasudevan, Jane Wong, and Kristen Millares Young.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs