Beacon Press
No New York
No New York
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ABOUT
"I loved this book.… A revelatory perspective on a formidable artistic movement whose history has been left to a handful of (male) gatekeepers."—Tanya Pearson, author of Pretend We’re Dead
"A riveting and beautiful account."—Thurston Moore
An intimate insider's account of New York's most radical cultural revolution and the women who obliterated every barrier in their path
In 1975 a young queer singer from Cleveland meets Nan Goldin and joins her in New York's bombed-out downtown, where something unprecedented is brewing. At Max's Kansas City and CBGBs, in derelict lofts and underground clubs, a generation of visionary women artists is rewriting the rules of creativity, sexuality, and power.
Adele Bertei didn't just witness the No Wave explosion—she ignited it. As acetone organist for the Contortions and Brian Eno's assistant, she was at the epicenter when punk collided with post-punk, when Lydia Lunch screamed her first songs, when Kathy Acker was penning her transgressive novels, when Kathryn Bigelow was making her first films.
No New York reveals the untold story of the boundary-pushing women who made No Wave possible: Nan Goldin capturing flash-lit portraits of gender fluidity, Barbara Kruger deconstructing media, Kiki Smith exploring the body's mysteries, Lizzie Borden challenging cinema itself. While mainstream culture wallowed in sexism and homophobia, these artists created something fluid, fierce, and transgressive.
Raw and gripping, No New York takes readers deep into the artistic and sexual experimentation of an era when everyone read Jean Genet, quoted Antonin Artaud, and believed true expression mattered more than money or fame.
Includes 55 rarely seen images of iconic musicians and artists that capture the look and feel of the era. Images are from Bertei's personal collection as well as well-known artists and photographers like Nan Goldin, Richard Prince, Vivienne Dick, Michael Granros, Marcia Resnick, and Julia Gorton.
PRE-ORDER
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STANDARD, PRIMARY, DM AND VARIANT COVERS
Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.
In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.
The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.
PRODUCT TYPES
Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:
Omnibus
- Large, hardcover collections
- Usually contain complete runs or extensive story arcs
- Typically 800-1000+ pages
- Higher price point, often €100-€150
Oversized Hardcover (OHC)
- Similar dimensions to omnibus, but thinner
- Collect shorter runs or story arcs
- Usually 300-600 pages
- Priced between €30-€50
Hardcover (HC)
- Standard-sized hardcover books
- Collect 6-12 issues typically
- Similar dimensions to single issues, but with a hard cover
- Priced around €25-€35
Trade Paperback (TP)
- Softcover collections
- Standard comic book size
- Usually collect 4-6 issues
- Most affordable option, typically €15-€25
Other Formats
- Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
- Compendiums: Massive paperback collections
- Graphic Novels (OGN/GN): Original stories not previously released as single issues
The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs