November 1942

The New York Times Book Review Editors' Choice • An intimate history of the most important month of World War II, completely based on the diaries, letters and memoirs of the people who lived through it

At the beginning of November 1942, it looked as if the Axis powers could still win the Second World War; at the end of that month, it was obviously just a matter of time before they would lose. In between were el-Alamein, Guadalcanal, the French North Africa landings, the Japanese retreat in New Guinea and the Soviet encirclement of the German 6th Army at Stalingrad. It may have been the most important thirty days of the twentieth century. In this hugely innovative and riveting history, Peter Englund has reduced an epoch-making event to its basic component: the individual experience.
Englund’s narrative is based solely on what he learned from the writings of soldiers and ordinary citizens alike. They comprise a remarkable, deeply personal resource. In thirty memorable days, among those we meet are: a Soviet infantryman at Stalingrad; an American pilot on Guadalcanal; an Italian truck driver in the North African desert; a partisan in the Belarussian forests; a machine gunner in a British bomber; a twelve-year-old girl in Shanghai; a university student in Paris; a housewife on Long Island; a shipwrecked Chinese sailor; a prisoner in Treblinka; a Korean “comfort woman” in Mandalay; Albert Camus, Vasily Grossman and Vera Brittain—forty characters in all. In addition, we experience the construction and launching of SS James Oglethorpe, a Liberty ship built in Savannah; the fate of U-604, a German submarine; the building of the first nuclear reactor in Chicago; and the making of Casablanca.
Not since the publication of the author’s last book, The Beauty and the Sorrow, which similarly looked at the First World War, have we had such a mesmerizing work of history.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs