Retro

An out-of-work actress gets a job as a tour guide for an ultra-luxury time travel company—only to discover her trips to the past could upend her present—in this rollicking, speculative debut novel.

“This charming debut novel has hints of the big-budget Hollywood rom-coms of yesteryear [while feeling] relevant and thought-provoking regarding our era’s obsession with nostalgia—and why that may be worth reckoning with.”—Marie Claire

LONGLISTED FOR THE CENTER FOR FICTION’S FIRST NOVEL PRIZE

When Ash spots an ad for Retro during a depressing Instagram scroll—she’s in debt and unemployed; everyone else is, evidently, thriving—she’s surprised the algorithm sent it her way. She’s heard of recreational time travel, but it’s way out of her budget. Then she sees the caption: Come away with us! We’re hiring.

So begins Ash’s life as a Time Travel Agent, leading wealthy tourists on vacations to historical hotspots. She takes bachelorette parties to live out their cowboy-romance fantasies in the Old West; she chaperones “’20s for your twenties” birthday excursions to speakeasies; she smiles politely as rich Wall Street guys give prospecting a shot during the Gold Rush. It’s all thrilling, outrageous, and totally surreal. Bygone America is just a Retro Metro ride away.

Despite Ash’s tendency toward cynicism, she finds herself swept up in her dazzling new job. Sure, Ash isn’t the actress she’d always dreamed she’d be. But isn’t this so much better? It’s like Ash’s life is a movie, complete with an impossible love triangle. How is she supposed to choose between her mysterious office crush and the handsome private eye pursuing her in 1937?

For the first time in years, Ash’s life feels enviable—so she’d really rather not pay attention to the strange things happening to her memory and relationships outside Retro. But as her trips threaten to unravel her real life, she confronts an unsettling truth: Escaping into the past was never really an escape at all.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs