Kensington
Roy Orbison
Roy Orbison
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ABOUT
He didn’t look, move, or sound like his contemporaries, but Roy Orbison, king of the emotionally charged, slow-burning, drama-ballad, struck a worldwide chord. Now, from acclaimed music biographer Jeff Apter, comes the definitive biography of one of music history’s most beloved, versatile, singer-songwriter legends.
Clad in black with dark shades, Roy Orbison had a mystique, style, and voice that were unmistakable and singularly different from his famous peers of the 1950s and ’60s, like Johnny Cash, Elvis, or Jerry Lee Lewis. Roy hit notes that, in the words of Bruce Springsteen, sounded “like the world’s going to end.”
Born in Vernon, Texas, Roy was the son of a guitar-playing oil worker. Already a music fan by age 6, Roy went on to form a high school band. Honky-tonk gigs followed. Then a contract at Elvis Presley’s label, Sun Records, where Roy found mentors and friends among the likes of Carl Perkins. Following a shift to Monument Records, he shared a bill with a group called the Beatles, who were huge fans of his.
After experimenting with different styles, Roy edged closer to a sound all his own. He found it with smash singles including “Only the Lonely,” “Crying,” and “Oh, Pretty Woman,” songs heavy with pathos and remarkable vocals. It was gold. But what lay ahead was a professional downswing, and personal tragedy with the death of his wife and two sons. 20 lean years followed. Yet Roy Orbison was far from over.
Amid the rockabilly revival of the 1980s and the formation of the British-American supergroup the Traveling Wilburys—with, among others, Jeff Lynne, who would eventually produce Roy’s posthumous albums—Roy’s comeback was legendary. Asked how he’d like to be remembered, Roy said, “One day when they are mentioning people who had an impact, if they just mention me among the rest of the guys and gals, it would be great.” He got his wish. Roy Orbison: King of Hearts seals it.
STANDARD, PRIMARY, DM AND VARIANT COVERS
Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.
In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.
The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.
PRODUCT TYPES
Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:
Omnibus
- Large, hardcover collections
- Usually contain complete runs or extensive story arcs
- Typically 800-1000+ pages
- Higher price point, often €100-€150
Oversized Hardcover (OHC)
- Similar dimensions to omnibus, but thinner
- Collect shorter runs or story arcs
- Usually 300-600 pages
- Priced between €30-€50
Hardcover (HC)
- Standard-sized hardcover books
- Collect 6-12 issues typically
- Similar dimensions to single issues, but with a hard cover
- Priced around €25-€35
Trade Paperback (TP)
- Softcover collections
- Standard comic book size
- Usually collect 4-6 issues
- Most affordable option, typically €15-€25
Other Formats
- Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
- Compendiums: Massive paperback collections
- Graphic Novels (OGN/GN): Original stories not previously released as single issues
The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs