Knopf Doubleday Publishing Group
Strangers Among Us
Strangers Among Us
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ABOUT
little known to most Americans, the author--an American journalist who is himself the son of Latino immigrants--makes an often bewildering phenom-enon vastly more understandable.
He tells the stories of a number of large Latino communities, linked in a chronological narrative that starts with the Puerto Rican migration to East Harlem in the 1950s and continues through the California-bound rush of Mexicans and Central Americans in the 1990s. He takes us into the world of Mexican-American gang members; Guatemalan Mayas in suburban Houston; Cuban businessmen in Miami; Dominican bodega owners in New York. We see people who represent a unique transnationalism and a new form of immigrant assimilation--foreigners who come from close by and visit home frequently, so that they virtually live in two lands.
Like other groups of immigrants who preceded them onto American shores, Latinos, as they begin to find a place for themselves here, are changing the way this nation thinks of itself. These are people who defy easy categorization: they are neither white nor black; their households often include both legal and illegal immigrants; most struggle toward some kind of economic stability, but so many others fall short that they have become the new face of the urban poor. Some Latinos endure the special poverty of people who work long hours for wages that barely ensure survival. Their children grow up learning more from their televisions than from their teachers, knowing what they want from America but not how to get it.
Looking to the future, we see clearly that the sheer number of Latino newcomers will force the United States to develop new means of managing relations among diverse ethnic groups and of creating economic opportunity for all. But we also see a catalog of conflict and struggle: Latinos in confrontation with blacks; Latinos wrestling with the strain of illegal immigration on their communities; Latinos fighting the backlash that is denying legal immigrants access to welfare programs. Critical both of incoherent government policies and of the failures of minority-group advocacy, the
author proposes solutions of his own, including a rejection of illegal immigration by Latinos themselves paired with government efforts to deter unlawful journeys into the United States, and a new emphasis on English-language training as an aid to successful assimilation.
Roberto Suro has written a timely, controversial, and hugely illuminating book.
STANDARD, PRIMARY, DM AND VARIANT COVERS
Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.
In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.
The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.
PRODUCT TYPES
Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:
Omnibus
- Large, hardcover collections
- Usually contain complete runs or extensive story arcs
- Typically 800-1000+ pages
- Higher price point, often €100-€150
Oversized Hardcover (OHC)
- Similar dimensions to omnibus, but thinner
- Collect shorter runs or story arcs
- Usually 300-600 pages
- Priced between €30-€50
Hardcover (HC)
- Standard-sized hardcover books
- Collect 6-12 issues typically
- Similar dimensions to single issues, but with a hard cover
- Priced around €25-€35
Trade Paperback (TP)
- Softcover collections
- Standard comic book size
- Usually collect 4-6 issues
- Most affordable option, typically €15-€25
Other Formats
- Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
- Compendiums: Massive paperback collections
- Graphic Novels (OGN/GN): Original stories not previously released as single issues
The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs