Sweetest Darkness

A teenage psychic is drawn deep into the honeycomb of an abandoned hotel—and into a cat-and-mouse game with a predatory entity—in this riveting new supernatural horror novel.

"SO SCARY, IT GIVES DARKNESS A BAD NAME! When I finished the last page, I realized I was still shivering."—R.L. STINE, author of Goosebumps and Fear Street

Everyone in Gypsum, Texas knows the Hotel Alvarado changes at night—especially Quinn. A teenage clairvoyant, he’s been having dreams about it… dreams that call him to its dark, abandoned halls. The hotel is a monument to the town’s more prosperous past, when celebrities flocked to the mineral spas and films were shot in the desert. The Great Depression killed all of that, it killed the Alvarado, and frankly it killed Gypsum, too. Now, when the sun goes down, things no longer living stir deep within its creaking depths.

But the dreams are relentless. When Quinn braves the hotel’s darkness with his best friend June and unrequited love Selena, looking for answers, he gets only one: ghosts aren’t the scariest thing lurking inside the Alvarado (although they’re there, cold and restless and angry).

No. He’s been called by something worse: a predatory, inhuman entity that threatens to wipe Gypsum off the map, along with everyone in it. And wrongly—accidentally—he’s let it out. It takes the shape of a handsome young man. It walks. It talks. It laughs. It can even make you laugh. But its appetite for death can never be sated.

Quinn has always had the power to see the future… can he find the power to change it?

A Washington State Book Award Finalist
Named to the Spirit of Texas Reading List

"Mesmeric. Hauntingly beautiful. A must-read for anyone who dares to venture into the abyss."—Robin Alvarez, author of When Oceans Rise

"Spooky. Scary. Mysterious. Twisty."—A. Lee Martinez, award-winning author of A Namless Witch

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs