The Best Short Stories 2023

The prestigious annual story anthology includes prize-winning stories by Jamil Jan Kochai, David Ryan, Kirstin Valdez Quade, Lisa Taddeo, Ling Ma, Catherine Lacey, and Cristina Rivera Garza.

“[A] standout collection . . . . Dazzling performances from some of today’s most exciting writers. . . . This is one of the best fiction anthologies in years.” —Publishers Weekly starred review

Continuing a century-long tradition of cutting-edge literary excellence, this year's edition contains twenty prizewinning stories chosen from the thousands published in magazines over the previous year. Guest editor Lauren Groff has brought her own refreshing perspective to the prize, selecting stories by an engaging mix of celebrated names and emerging voices and including several stories in translation. The winning stories are accompanied by an introduction by Groff, observations from the winning writers on what inspired them, and an extensive resource list of magazines that publish short fiction. AN ANCHOR BOOKS ORIGINAL.

THE WINNING STORIES:
“Office Hours,” by Ling Ma
“Man Mountain,” by Catherine Lacey
“Me, Rory and Aurora,” by Jonas Eika,
translated from the Danish by Sherilyn Nicolette Hellberg
“The Complete,” by Gabriel Smith
“The Haunting of Hajji Hotak," by Jamil Jan Kochai
“Wisconsin,” by Lisa Taddeo
“Ira & the Whale,” by Rachel B. Glaser
“The Commander’s Teeth,” by Naomi Shuyama-Gómez
“The Mad People of Paris,” Rodrigo Blanco Calderón,
translated from the Spanish by Thomas Bunstead
“Snake & Submarine,” by Shelby Kinney-Lang
“The Mother,” by Jacob M’hango
“The Hollow,” by ’Pemi Aguda
“Dream Man,” by Cristina Rivera Garza,
translated from the Spanish by Francisca González-Arias
“The Locksmith,” by Grey Wolfe LaJoie
“After Hours at the Acacia Park Pool,” by Kirstin Valdez Quade
“Happy Is a Doing Word,” by Arinze Ifeakandu
“Elision,” by David Ryan
“Xífù,” by K-Ming Chang
“Temporary Housing,” by Kathleen Alcott
“The Blackhills,” by Eamon McGuinness

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs