The Drowning of Money Island

Offers a glimpse of the future of vanishing shorelines in America in the age of climate change, where the wealthy will be able to remain the longest while the poor will be forced to leave.

Journalist Andrew Lewis chronicles the struggle of his New Jersey hometown to rebuild their ravaged homes in the face of the same environmental stresses and governmental neglect that are endangering coastal areas throughout the United States. Lewis grew up on the Bayshore, a 40-mile stretch of Delaware Bay beaches, marshland, and fishing hamlets at the southern end of New Jersey, whose working-class community is fighting to retain their place in a country that has left them behind. The Bayshore, like so many rural places in the US, is under immense pressure from a combination of severe economic decline, industry loss, and regulation. But it is also contending with one of the fastest rates of sea level rise on the planet and the aftereffects of one of the most destructive hurricanes in American history, Superstorm Sandy. If in the years prior to Sandy the Bayshore had already been slowly disappearing, its beaches eroding and lowland cedar woods hollowing out into saltwater-bleached ghost forests, after the hurricane, the community was decimated. Today, homes and roads and memories are crumbling into the rising bay.

Cumberland, the poor, rural county where the Bayshore is located, had been left out of the bulk of the initial federal disaster relief package post-Sandy. Instead of money to rebuild, the Bayshore got the New Jersey Department of Environmental Protection’s Superstorm Sandy Blue Acres Program, which identified and purchased flood-prone neighborhoods where working-class citizens lived, then demolished them to be converted to open space.

The Drowning of Money Island is an intimate yet unbiased, lyrical yet investigative portrait of a rural community ravaged by sea level rise and economic hardship, as well as the increasingly divisive politics those factors have helped spawn. It invites us to confront how climate change is already intensifying preexisting inequality.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs