The Girl with the Crooked Nose

In this thrilling and fascinating account of Frank Bender and his work, readers will be drawn into the cases he has solved, the intricacies of his art, the colorful characters he encounters, and the personal cost of his strange obsession. Through breathtakingly realistic sculptures, Frank Bender reconstructs the faces of the missing and the dead based in part on forensic science, and in part on deep intuition, an uncanny ability to discern not only a missing face but also the personality behind it.

His skills have led to the solving of many murders and other serious crimes, and have given faces to the victims, including the infamous case of the feminicidios—in which hundreds of murdered women were found outside Juarez, Mexico.

With a conclusion as shocking as its story is gripping, The Girl with the Crooked Nose will haunt readers long after the last page is turned.

“A compelling glimpse into a gruesome profession.”—Simon Winchester, author of The Professor and the Madman

“Frank Bender is one of the unsung heroes of crime detection . . . In an original and highly readable nonfiction thriller, this book brims with authenticity and the complexities of crime-solving procedurals . . . [A] fascinating story of a brilliant forensic artist’s quest to solve some of the most baffling murder cases ever. It is exceptional crime writing that is timely and informative.”—Tucson Citizen

“Action-packed . . . Botha’s work relays Bender’s surprising conclusions about the case and imparts more information about reconstructing the faces of the dead than most readers will expect.” —Booklist

“[A] crackling account of a quirky, maverick forensics artist, Frank Bender, and his largely successful efforts in facial reconstruction of murder victims . . . What is extraordinary is Botha’s writing, with his unerring depiction of Bender’s painstaking work and the eventual unraveling of the brutal crimes it solves . . . The tales in this book accurately capture the dark motives and complexities of senseless murder, and even the most savvy true crime reader will not be able to resist the author’s insightful storytelling.”—Publishers Weekly

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs