Knopf Doubleday Publishing Group
The Great Contradiction
The Great Contradiction
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ABOUT
An astounding look at how America’s founders—Washington, Jefferson, Franklin, Madison, Adams—regarded the issue of slavery as they drafted the Declaration of Independence and the Constitution. A daring and important work that ultimately reckons with the two great failures of America’s founding: the failure to end slavery and the failure to avoid Indian removal.
“Masterfully widen[s] our lens to tell a deeper, more complex, more accurate story of our founding.” —Ken Burns
On the eve of the American Revolution, half a million enslaved African Americans were embedded in the North American population. The slave trade was flourishing, even as the thirteen colonies armed themselves to defend against the idea of being governed without consent. This paradox gave birth to what one of our most admired historians, Joseph J. Ellis, calls the “great contradiction”: How could a government that had been justified and founded on the principles articulated in the Declaration of Independence institutionalize slavery? How could it permit a tidal wave of western migration by settlers who understood the phrase “pursuit of happiness” to mean the pursuit of Indian lands?
With narrative grace and a flair for irony and paradox, Ellis addresses the questions that lie at America’s twisted roots—questions that turned even the sharpest minds of the Revolutionary generation into mental contortionists. He discusses the first debates around slavery and the treatment of Native Americans, from the Constitutional Convention to the Treaty of New York, revealing the thinking and rationalizations behind Jay, Hamilton, and Madison’s revisions of the Articles of Confederation, and highlights the key role of figures like Quaker abolitionist Anthony Benezet and Creek chief Alexander McGillivray.
Ellis writes with candor and deftness, his clarion voice rising above presentist historians and partisans who are eager to make the founders into trophies in the ongoing culture wars. Instead, Ellis tells a story that is rooted in the coexistence of grandeur and failure, brilliance and blindness, grace and sin.
STANDARD, PRIMARY, DM AND VARIANT COVERS
Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.
In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.
The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.
PRODUCT TYPES
Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:
Omnibus
- Large, hardcover collections
- Usually contain complete runs or extensive story arcs
- Typically 800-1000+ pages
- Higher price point, often €100-€150
Oversized Hardcover (OHC)
- Similar dimensions to omnibus, but thinner
- Collect shorter runs or story arcs
- Usually 300-600 pages
- Priced between €30-€50
Hardcover (HC)
- Standard-sized hardcover books
- Collect 6-12 issues typically
- Similar dimensions to single issues, but with a hard cover
- Priced around €25-€35
Trade Paperback (TP)
- Softcover collections
- Standard comic book size
- Usually collect 4-6 issues
- Most affordable option, typically €15-€25
Other Formats
- Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
- Compendiums: Massive paperback collections
- Graphic Novels (OGN/GN): Original stories not previously released as single issues
The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs