The Improbable Victoria Woodhull

THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE • From the acclaimed author of What the Ermine Saw and Behaving Badly, a portrait of Victoria Woodhull, a celebrated and maligned 19th-century businesswoman and activist, and a leader in the fight for women’s suffrage and labor reforms.

In 1894, a remarkably self-possessed American woman, with no formal education to speak of, stood before a British court seeking damages for libel from the trustees of the British Museum. It was yet another stop along the unpredictable route that was Victoria Woodhull’s life. Born dirt-poor in an obscure Ohio settlement, Woodhull was the daughter of an illiterate mother entranced by the fad of Mesmerism—a therapeutic pseudoscience—and a swindler father whose cons exploited his two daughters. It was through her mother, though, that Woodhull familiarized herself with the supernatural realm, earning a degree of fame as a clairvoyant and her first taste of financial success. Woodhull’s life would continue to turn on its axis and then turn again.

Despite a deeply troubled first marriage at the age of fourteen, countless attempts by the press to discredit her, and a wrongful jail sentence, Woodhull thrived through sheer determination and the strength of her bond with her sister Tennie. She co-founded a successful stock brokerage on Wall Street, launched a newspaper, and became the first woman to run for president. Hers was a rags-to-riches story that saw her cross paths with Karl Marx, Henry Ward Beecher, and Frederick Douglass. In an era when women’s rights were circumscribed, and the idea of leaving a marriage was taboo, she broke the rules to carve out a path of her own.

Vividly written and exhaustively researched, Collinsworth tells the story of a woman truly ahead of her time—a radical visionary who made defying mores a habit and brought to the fore societal and political issues still being addressed today. Neither a saint nor a villain, Woodhull emerges as an iconic, complex woman: an entrepreneur; lover of freedom; and a fiercely loyal family member whose political activism and suffragist legacy will cement her in history.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs