The Language of Love and Loss

Readers of Mad Honey will adore this clever, deeply touching, buoyant new novel from an award-winning author. When his difficult mother is diagnosed with ALS, a sharp-witted yet sensitive artist reluctantly returns to his New Hampshire hometown – and all the ghosts he left behind.

As it turns out, you can go home again. But sometimes, you really, really don’t want to . . .

Home, for Noah York, is Oakland, New Hampshire, the sleepy little town where Noah’s mother, Virginia, had a psychotic breakdown and Noah got beaten to a pulp as a teenager. Then there were the good times—and Noah’s not sure which ones are more painful to recall.

Now thirty-seven and eking out a living as an artist in Providence, Rhode Island, Noah looks much the same—and swears just as colorfully—as he did in high school. Virginia has become a wildly successful poet who made him the subject of her most famous poem, “The Lost Soul,” a label Noah will never live down. And J.D., the one who got away—because Noah stupidly drove him away—is in a loving marriage with a successful, attractive man whom Noah despises wholeheartedly.

Is it any surprise that Noah wishes he could ignore his mother’s summons to come visit?

But Virginia has shattering news to deliver, and a request he can’t refuse. Soon, Noah will track down the sister and extended family he never knew existed, try to keep his kleptomaniac cousin out of jail, feud with a belligerent neighbor, confront J.D.’s jealous husband—and face J.D. himself, the ache from Noah’s past that never fades. . . . All the while, contending with his brilliant, unpredictable mother.

Bittersweet, hilarious, and moving, and as unapologetically candid and unforgettable as Noah himself, The Language of Love and Loss is a story about growing older, getting lost—and finding your way back to the only truths that really matter.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs