The Last Mission

A gripping account of the final American bombing mission of World War II and how it prevented a military coup that would have kept Japan in the war.

How close did the Japanese come to not surrendering to Allied forces on August 15, 1945? The Last Mission explores this question through two previously neglected strands of late—World War II history, whose very interconnections could have caused a harrowing shift in the course of the postwar world. On the final night of the war, as Emperor Hirohito recorded a message of surrender for the Japanese people, a band of Japanese rebels, commanded by War Minister Anami's elite staff, burst into the palace. They had plotted a massive coup that aimed to destroy the recordings of the Imperial Rescript of surrender and issue false orders forged with the Emperor’s seal commanding the widely dispersed Japanese military to continue the war. If this rebellion had succeeded, the military would have proceeded with large-scale kamikaze attacks on Allied forces, costing huge casualties and just possibly provoking the Americans to drop a third atomic bomb on Japan over Tokyo–and continue to drop more bombs as Japanese resistance stiffened.

Meanwhile, in the midst of an “end-of-war” celebration on Guam, Air Force radio operator Jim Smith and his fellow crewmen received urgent orders for a bombing mission over Japan’s sole remaining oil refinery north of Tokyo. As a stream of American B-29B bombers approached Tokyo, Japanese air defenses, fearing the approaching planes signaled the threat of a third atomic bomb, ordered a total blackout in Tokyo and the Imperial Palace, completely disrupting the rebels’ plans. Smith and his fellow crewmembers completed the mission, and a few hours later, the Emperor announced the surrender over Japan’s airwaves, dictating the end of the war.

The Last Mission is an insightful piece of speculative investigation that combines narrative storytelling with historical contingency and explores how two seemingly unrelated events could have profoundly changed the course of modern history.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs