The Last Mrs. Summers

Lady Georgiana Rannoch is just back from her honeymoon with dashing Darcy O’Mara when a friend in need pulls her into a twisted Gothic tale of betrayal, deception and, most definitely, murder. . . .

I am a bit at loose ends at the moment. My cook, Queenie, is making my new role as mistress of Eynsleigh something akin to constant torture as Darcy is off on another one of his top secret jaunts. And Grandad is busy helping wayward youths avoid lives of crime. So when my dearest friend, Belinda, inherits an old cottage in Cornwall and begs me to go with her to inspect the property, I jump at the chance.

After a heart-stopping journey in Belinda’s beast of a motorcar, we arrive at the creaky old cottage called White Sails and quickly realize that it is completely uninhabitable. Just when I’m starting to wonder if I would have been better off trying to get Queenie to cook a roast that hasn’t been burnt beyond all recognition, we meet Rose Summers, a woman Belinda knew as a child when she spent time in Cornwall. Rose invites us to stay at Trewoma Hall, the lovely estate now owned by her husband, Tony.

Belinda confesses that she never liked Rose and had a fling with Tony years ago, so staying with them is far from ideal but beggars can’t be choosers as they say. Trewoma is not the idyllic house Belinda remembers. There’s something claustrophobic and foreboding about the place. Matters aren’t helped by the oppressively efficient housekeeper Mrs. Mannering or by the fact that Tony seems to want to rekindle whatever he and Belinda once had right under his wife’s nose.

Our increasingly awkward visit soon turns deadly when a member of the household is found murdered and all clues point to Belinda as the prime suspect. I soon learn that some long buried secrets have come back to haunt those in residence at Trewoma Hall and I’ll need to sift through the ruins of their past so Belinda doesn’t lose her chance at freedom in the present. . . .

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs