The Nanny's Handbook to Magic and Managing Difficult Dukes

Mary Poppins meets Bridgerton in a feel-good blend of cozy fantasy magic, historical romance, humor, and Victorian era charm, as a recent graduate of the Parasol Academy for Exceptional Nannies and Governesses finds her supernatural abilities are little help when it comes to falling for the shy, mysterious inventor who happens to be her employer…

For readers of Heather Fawcett, Allison Saft, Katherine Arden, Freya Marske, and Olivia Atwater’s Regency Faerie Tales series.

Emmeline Chase, 25-year-old widow and new alumna, may be more high-spirited than the Academy would like. Few graduates, however, could turn a mismanaged teleportation onto a duke’s rooftop into an offer of employment. But Emmeline’s circumstances, along with her desperation to support her bankrupt, incarcerated father, have made her dauntless. Which seems the primary qualification to work for expert horologist Xavier Mason, Duke of St. Lawrence, and manage his three rambunctious wards. Yet Emmeline soon discovers that the nobleman’s heart-melting voice and captivating mind present an entirely different sort of trouble. She cannot risk losing her license by fraternizing with her employer . . .

Xavier’s wards have sent two nannies packing in a month thanks to frogs, firecrackers, and general mayhem. In addition, Xavier’s professional reputation is on the line. He’s already considered odd, with his talking raven companion and his fascination with timekeeping instead of pleasure-chasing with his peers. Charming, vivacious Emmeline seems intrigued with his quirks—but Xavier must have absolute peace to design London’s “King of Clocks” for Westminster Palace before the competition closes. Emmeline can no doubt restore order. As long as he doesn’t fall under her spell . . .

Yet, with a possible saboteur in their midst, and the attraction flaring between them threatening to become a deliciously disastrous distraction, a touch of magic may be required . . .

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs