The O. Henry Prize Stories 2014

The O. Henry Prize Stories 2014 gathers twenty of the best short stories of the year, selected from thousands published in literary magazines. The winning stories roam the world, from Nigeria to Venice, from an erupting volcano in Iceland to a brothel in the old Wild West. They feature a dazzling array of characters: a young American falling in love in Japan, a girl raised by snake-handling fundamentalists, an old man mourning his late wife, and a fierce guard dog with a talent for escape. Accompanying the stories are the editor’s introduction, essays from the eminent jurors on their favorite stories, observations from the winning writers on what inspired them, and an extensive resource list of magazines.

Mark Haddon, “The Gun,” Granta
Stephen Dixon, “Talk,” The American Reader
Tessa Hadley, “Valentine,” The New Yorker
Olivia Clare, “Pétur,” Ecotone
David Bradley, “You Remember The Pin Mill,” Narrative
Kirstin Valdez Quade, “Nemecia,” Narrativemagazine.com
Dylan Landis, “Trust,” Tin House
Allison Alsup, “Old Houses,” New Orleans Review
Halina Duraj, “Fatherland,” Harvard Review
Chanelle Benz, “West of the Known,” The American Reader  
William Trevor, “The Women,” The New Yorker
Colleen Morrissey, “Good Faith,” The Cincinnati Review
Robert Anthony Siegel, “The Right Imaginary Person,” Tin House
Louise Erdrich, “Nero,” The New Yorker
Rebecca Hirsch Garcia, “A Golden Light,” Threepenny Review
Chinelo Okparanta, “Fairness,” Subtropics
Kristen Iskandrian, “The Inheritors,” Tin House
Michael Parker, “Deep Eddy,” Southwest Review
Maura Stanton, “Oh Shenandoah,” New England Review
Laura van den Berg, “Opa-Locka,” The Southern Review
 
The Jurors on Their Favorites: Tash Aw, James Lasdun, Joan Silber
The Writers on Their Work
Publications Submitted

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs