Under the Falls

The Pulitzer Prize–winning author of Empire Falls returns with his first stand-alone novel since Chances Are . . . —a spellbinding page-turner about a crime in a small town that exposes long-held secrets and betrayals among a group of lifelong friends

When Tyler Sinclair left Stone Mountain at eighteen, he had no plans of returning. With only a duffel bag full of clothes, a few bucks stolen from his father’s dresser, and a guitar, his most prized possession, Tyler disappeared without so much as a goodbye. Eighteen years later, and Tyler, now the frontman of a famous band aptly named Stone Mountain, finds himself returning to his hometown for a one-night-only benefit concert to support his old friend, Doc, who lost feeling in his legs following a childhood accident. As Tyler ascends the mountain, memories of his childhood come rushing back—memories of his abusive father and despondent mother, of the friends he left behind—and he quickly learns that, for many people on Stone Mountain, the past does not feel like so long ago, and not everyone has been eagerly awaiting Tyler’s return.

At the concert, resentment simmers just beneath the surface, and Tyler finds himself confronted with faces new and old: there’s Curt, Tyler’s childhood best friend, now Stone Mountain’s chief of police, and his star officer, Deb, an out-of-towner who may have bitten off more than she can chew by accepting a job in Stone Mountain. And then there’s Freddi, Curt’s wife and Tyler’s former lover, a woman whose questionable dealings and fraught history with Tyler will become the catalyst for a tragedy that will upend each of their lives and threaten to validate Tyler’s worst fear: that “Stone Mountain is the kind of place you might escape from once, if you’re lucky, but not twice.”

Under the Falls is at once a propulsive thriller, a gut-wrenching portrait of a tight-knit rural community undone by the sins of its past, and an unflinchingly honest depiction of how porous the line between right and wrong, good versus evil, can become. A stunning, deeply empathetic novel, one that takes Russo’s penchant for character-driven drama to thrilling new heights.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs