Underlake

When a mother claims her missing daughter is alive beneath a lake in a flooded valley, a marine biologist descends into a hidden underwater settlement where those who refused to leave have built a sealed-off world—and where the consequences of that choice are beginning to surface.

“In the vein of Margaret Atwood and Emily St. John Mandel, McCoy’s novel is a thoughtful, ethereal story that . . . feels as though it came from the eerie depths it describes.” —Booklist (starred review)

“Mesmerizing . . . Through lightless tunnels and shimmering pools . . . this book illuminates how faith, language, and truth can warp or sharpen under extraordinary pressure.” —Susanna Kwan, author of Awake in the Floating City

“Stunning . . . Achingly true to the human need for hope and forgiveness, Underlake reveals the greatest depths are within the human heart.” —Ron Rash, author of The Caretaker

Twelve years ago, Otta escaped her small town, determined to become a marine biologist. Now she’s returned, carrying the guilt of a friend’s disappearance during a deep-sea dive and unsure she’ll ever be able to dive again. Then a stranger, May, appears at her door, insisting that her daughter who ran away is under the nearby lake—alive.

It turns out the small-town legend is true: Three decades ago, the entire valley was flooded to build a dam, but the people who lived there refused to leave. These “refugees of a world obsessed with change” now inhabit an underwater realm. To find the missing girl, Otta and May come face-to-face with communities that have lived in isolation for decades, breeding extremes of delusion and nostalgia. As they push their bodies to the mortal limit, the women must confront the fear, control, and suspicion born of the misguided quest to construct a purer world.

Hypnotic and arresting, Underlake brings a poet’s attention to language, evoking the ethereal work of Marilynne Robinson, Lauren Groff, and Emily St. John Mandel and the imaginative brio of Margaret Atwood. In taking her place as a major new voice in American fiction, McCoy shrewdly explores the American obsession with land, inheritance, and race, asking what we cling to when the world changes—and who gets erased in the name of preserving it.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs