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Knopf Doubleday Publishing Group
We Survived the Night
We Survived the Night
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€21,00
Regular price
€21,00
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€21,00
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9780593315286
ISBN:
9780593315286
Pages:
448
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Release Date:
Oct 13, 2026
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ABOUT
WINNER OF THE TADEUSZ BRADECKI PRIZE • A stunning narrative from one of the most powerful young writers at work today, and the director of the Oscar®-nominated documentary, Sugarcane, We Survived the Night interweaves oral history with hard-hitting journalism and a deeply personal father-son journey into a searing portrait of Indigenous survival, love, and resurgence.
“Julian Brave NoiseCat seamlessly connects true tales of identity and betrayal, love and abandonment, clarity and confusion. We Survived the Night is a whirling, radiant gift to the reader.” —Louise Erdrich, author of The Night Watchman
Julian Brave NoiseCat’s childhood was rich with culture and contradictions. When his Secwépemc and St’at’imc father, an artist haunted by a turbulent past, abandoned the family, NoiseCat and his non-Native mother were embraced by the urban Native community in Oakland, California, as well as by family on the Canim Lake Indian Reserve in British Columbia. In his father’s absence, NoiseCat immersed himself in Native history and culture to understand the man he seldom saw—his past, his story, where he came from—and, by extension, himself.
Years later, NoiseCat sets out across the continent to correct the erasure, invisibility, and misconceptions surrounding the First Peoples of this land as he develops his voice as a storyteller and artist. Told in the style of a "Coyote Story," a legend about the trickster forefather of NoiseCat’s people who was revered for his wit and mocked for his tendency to self-destruct, We Survived the Night brings a traditional art form nearly annihilated by colonization back to life on the page. Through a dazzling blend of history and mythology, memoir and reportage, NoiseCat unravels old stories and braids together new ones. He grapples with the erasure of North America's First Peoples and the trauma that cascades across generations, while illuminating the vital Indigenous cultural, environmental, and political movements reshaping the future. He chronicles the historic ascent of the first Native American cabinet secretary in the United States and the first Indigenous sovereign of Canada; probes the colonial origins and limits of racial ideology and Indian identity through the story of the Lumbee Tribe of North Carolina; and hauls the golden eggs of an imperiled fish out of the sea alongside the Tlingit of Sitka, Alaska. This is a rewriting and a restoration—of Native history and, more intimately, of family and self, as NoiseCat seeks to reclaim a culture effaced by colonization and reconcile with a father who left. Virtuosic, compelling, and deeply moving, this is at once an intensely personal journey and a searing portrait of Indigenous survival, love, and resurgence.
Drawing from five years of on-the-ground reporting, We Survived the Night paints a profound and unforgettable portrait of contemporary Indigenous life, alongside an intimate and deeply powerful reckoning between a father and a son. A soulful, formally daring, and indelible work from an important new voice.
“Julian Brave NoiseCat seamlessly connects true tales of identity and betrayal, love and abandonment, clarity and confusion. We Survived the Night is a whirling, radiant gift to the reader.” —Louise Erdrich, author of The Night Watchman
Julian Brave NoiseCat’s childhood was rich with culture and contradictions. When his Secwépemc and St’at’imc father, an artist haunted by a turbulent past, abandoned the family, NoiseCat and his non-Native mother were embraced by the urban Native community in Oakland, California, as well as by family on the Canim Lake Indian Reserve in British Columbia. In his father’s absence, NoiseCat immersed himself in Native history and culture to understand the man he seldom saw—his past, his story, where he came from—and, by extension, himself.
Years later, NoiseCat sets out across the continent to correct the erasure, invisibility, and misconceptions surrounding the First Peoples of this land as he develops his voice as a storyteller and artist. Told in the style of a "Coyote Story," a legend about the trickster forefather of NoiseCat’s people who was revered for his wit and mocked for his tendency to self-destruct, We Survived the Night brings a traditional art form nearly annihilated by colonization back to life on the page. Through a dazzling blend of history and mythology, memoir and reportage, NoiseCat unravels old stories and braids together new ones. He grapples with the erasure of North America's First Peoples and the trauma that cascades across generations, while illuminating the vital Indigenous cultural, environmental, and political movements reshaping the future. He chronicles the historic ascent of the first Native American cabinet secretary in the United States and the first Indigenous sovereign of Canada; probes the colonial origins and limits of racial ideology and Indian identity through the story of the Lumbee Tribe of North Carolina; and hauls the golden eggs of an imperiled fish out of the sea alongside the Tlingit of Sitka, Alaska. This is a rewriting and a restoration—of Native history and, more intimately, of family and self, as NoiseCat seeks to reclaim a culture effaced by colonization and reconcile with a father who left. Virtuosic, compelling, and deeply moving, this is at once an intensely personal journey and a searing portrait of Indigenous survival, love, and resurgence.
Drawing from five years of on-the-ground reporting, We Survived the Night paints a profound and unforgettable portrait of contemporary Indigenous life, alongside an intimate and deeply powerful reckoning between a father and a son. A soulful, formally daring, and indelible work from an important new voice.
STANDARD, PRIMARY, DM AND VARIANT COVERS
Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.
In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.
The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.
PRODUCT TYPES
Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:
Omnibus
- Large, hardcover collections
- Usually contain complete runs or extensive story arcs
- Typically 800-1000+ pages
- Higher price point, often €100-€150
Oversized Hardcover (OHC)
- Similar dimensions to omnibus, but thinner
- Collect shorter runs or story arcs
- Usually 300-600 pages
- Priced between €30-€50
Hardcover (HC)
- Standard-sized hardcover books
- Collect 6-12 issues typically
- Similar dimensions to single issues, but with a hard cover
- Priced around €25-€35
Trade Paperback (TP)
- Softcover collections
- Standard comic book size
- Usually collect 4-6 issues
- Most affordable option, typically €15-€25
Other Formats
- Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
- Compendiums: Massive paperback collections
- Graphic Novels (OGN/GN): Original stories not previously released as single issues
The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs