Knopf Doubleday Publishing Group
When Caesar Was King
When Caesar Was King
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ABOUT
“Whip smart. . . . A nuanced appreciation of Caesar’s comedy and the overall atmosphere of TV’s early days.” —Esquire
By the spring of 1954, Sid Caesar was the most influential, highly paid, and enigmatic comedian in America. Every week, twenty million people tuned their TVs to his NBC extravaganza, Your Show of Shows, and witnessed his virtuosity in sketches and film spoofs, pantomime and soliloquy. Onstage, Caesar could play any character and make it funny: a befuddled game-show contestant, a pretentious German professor, a beleaguered husband (opposite his redoubtable co-star Imogene Coca)—even a gumball machine and a bottle of seltzer.
To Caesar’s mostly urban audience, his comedy was an era-defining leap forward from the days of vaudeville, launching a new style of humor that was multilayered and full of character, yet still uproarious. To his rivals, Caesar was the man to beat. To his fellow American Jews, his show’s success meant something more: a post-Holocaust symbol of security and a source of great pride. But behind all that Caesar represented was the real Sid. Introverted and volatile, ill at ease in his own skin, he could terrorize his collaborators but reserved his harshest critiques for himself. After barely a decade, he was essentially off the air, beset by exhaustion, addiction, his own impossibly high standards, and changing viewership as television spread to the American heartland. TV’s first true comic creation was also its first spectacular flameout.
But in his wake came the disciples he personally nurtured—including Mel Brooks, Carl Reiner, Neil Simon, and more. Caesar left an indelible impact on what still makes us laugh. In When Caesar Was King, veteran journalist David Margolick conjures this complexman as never before. Deeply researched, brimming with love for Caesar and the culture from which he sprang, and reanimating a New York City that has all but vanished, this rollicking and poignant book traces the rise and fall of a legend.
STANDARD, PRIMARY, DM AND VARIANT COVERS
Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.
In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.
The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.
PRODUCT TYPES
Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:
Omnibus
- Large, hardcover collections
- Usually contain complete runs or extensive story arcs
- Typically 800-1000+ pages
- Higher price point, often €100-€150
Oversized Hardcover (OHC)
- Similar dimensions to omnibus, but thinner
- Collect shorter runs or story arcs
- Usually 300-600 pages
- Priced between €30-€50
Hardcover (HC)
- Standard-sized hardcover books
- Collect 6-12 issues typically
- Similar dimensions to single issues, but with a hard cover
- Priced around €25-€35
Trade Paperback (TP)
- Softcover collections
- Standard comic book size
- Usually collect 4-6 issues
- Most affordable option, typically €15-€25
Other Formats
- Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
- Compendiums: Massive paperback collections
- Graphic Novels (OGN/GN): Original stories not previously released as single issues
The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs