When the World Didn't End

In this immersive, spell-binding memoir, an acclaimed screenwriter tells the story of her childhood growing up with the infamous Lyman Family cult—and the complicated and unexpected pain of leaving the only home she’d ever known

A NEW YORKER BEST BOOK OF THE YEAR

On January 5, 1975, the world was supposed to end. Under strict instructions, six-year-old Guinevere Turner put on her best dress, grabbed her favorite toy, and waited with the rest of her community for salvation—a spaceship that would take them to live on Venus. But the spaceship never came.

Guinevere did not understand that her family was a cult. She spent most of her days on a compound in Kansas, living apart from her mother with dozens of other children who worked in the sorghum fields and roved freely through the surrounding pastures, eating mulberries and tending to farm animals. But there was a dark side to this bucolic existence. Guinevere was part of the Lyman Family, a secluded cult spearheaded by Mel Lyman, a self-proclaimed savior, committed to isolation from a World he declared had lost its way. When Guinevere caught the attention of Jessie, the woman everyone in the Family called the Queen, her status was elevated—suddenly she was traveling with the inner circle among communities in Los Angeles, Boston, and Martha’s Vineyard.

But before long, the life Guinevere had known ended. Her mother, from whom she had been separated since age three, left the Family with another disgraced member, and Guinevere and her four-year-old sister were forced to leave with them. Traveling outside the bounds of her cloistered existence, Guinevere was thrust into public school for the first time, a stranger in a strange land wearing homemade clothes, and clueless about social codes. Now out in the World she’d been raised to believe was evil, she faced challenges and horrors she couldn’t have imagined.

Drawing from the diaries that she kept throughout her youth, Guinevere Turner’s memoir is an intimate and heart-wrenching chronicle of a childhood touched with extraordinary beauty and unfathomable ugliness, the ache of yearning to return to a lost home—and the slow realization of how harmful that place really was.

Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.

In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.

The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.

Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:

Omnibus

• Large, hardcover collections
• Usually contain complete runs or extensive story arcs
• Typically 800-1000+ pages
• Higher price point, often €100-€150

Oversized Hardcover (OHC)

• Similar dimensions to omnibus, but thinner
• Collect shorter runs or story arcs
• Usually 300-600 pages
• Priced between €30-€50

Hardcover (HC)

• Standard-sized hardcover books
• Collect 6-12 issues typically
• Similar dimensions to single issues, but with a hard cover
• Priced around €25-€35

Trade Paperback (TP)

• Softcover collections
• Standard comic book size
• Usually collect 4-6 issues
• Most affordable option, typically €15-€25

Other Formats

• Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
• Compendiums: Massive paperback collections
• Graphic Novels (OGN/GN): Original stories not previously released as single issues

The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs