Penguin Publishing Group
Who Cries for the Lost
Who Cries for the Lost
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ABOUT
June 1815. The people of London wait breathlessly for news as Napoléon and the forces united against him hurtle toward their final reckoning at Waterloo. Among them is Sebastian St. Cyr, Viscount Devlin, frustrated to find himself sidelined while recovering from a dangerous wound he recently received in Paris. When the mutilated corpse of Major Miles Sedgewick surfaces from the murky waters of the Thames, Sebastian is drawn into the murder investigation, which threatens one of his oldest and dearest friends, Irish surgeon Paul Gibson.
Gibson’s lover, Alexi Sauvage, was tricked into a bigamous marriage with the victim. But there are other women who may have wanted the cruel, faithless major dead. His mistress, his neglected wife, and their young governess whom he seduced all make for compelling suspects. Even more interesting to Sebastian is one of Sedgewick’s fellow officers, a man who shared Sedgewick’s macabre interest in both old English folklore and the occult. And then there’s the valuable list of Londoners who once spied for Napoléon that Sedgewick was said to be transporting to Charles, Lord Jarvis, the Regent’s powerful cousin, who also happens to be Sebastian’s own father-in-law.
The deeper Sebastian delves into Sedgewick’s life, the more he learns about the Major’s many secrets, and the list of people who could have wanted him dead grows even longer. Soon others connected to Sedgewick begin to die strange, brutal deaths, and more evidence emerges that links Alexi to the crimes. Certain that Gibson will be implicated alongside his lover, Sebastian finds himself in a desperate race against time to stop the killings and save his friends from the terror of the gallows.
STANDARD, PRIMARY, DM AND VARIANT COVERS
Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.
In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.
The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.
PRODUCT TYPES
Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:
Omnibus
- Large, hardcover collections
- Usually contain complete runs or extensive story arcs
- Typically 800-1000+ pages
- Higher price point, often €100-€150
Oversized Hardcover (OHC)
- Similar dimensions to omnibus, but thinner
- Collect shorter runs or story arcs
- Usually 300-600 pages
- Priced between €30-€50
Hardcover (HC)
- Standard-sized hardcover books
- Collect 6-12 issues typically
- Similar dimensions to single issues, but with a hard cover
- Priced around €25-€35
Trade Paperback (TP)
- Softcover collections
- Standard comic book size
- Usually collect 4-6 issues
- Most affordable option, typically €15-€25
Other Formats
- Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
- Compendiums: Massive paperback collections
- Graphic Novels (OGN/GN): Original stories not previously released as single issues
The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs