Penguin Publishing Group
Who We Might Become
Who We Might Become
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ABOUT
We all carry a story about who we are. Most days, it runs quietly in the background, giving our lives a sense of continuity and direction. But when something changes—a diagnosis, a divorce, a move, a public image we didn’t choose—that story can fracture. Suddenly, the version of ourselves we relied on no longer fits. Enter identity theft, which happens when you no longer play the role of narrator in your life and something or someone takes it over. In his debut book, psychologist Jonathan M. Adler, Ph.D., one of the foremost scholars studying the relationship between narrative identity development and psychological well-being, introduces a powerful and surprisingly hopeful way of understanding identity as a living story we inhabit and, crucially, help narrate. Drawing on decades of original research in psychology and narrative science, and informed by his work as a therapist and his background in theater as a director and off-Broadway playwright, Adler helps us reconsider the way we think about identity and shares the hopeful message that we have more power to change than we realize.
Through unforgettable stories of identity theft, from a family forced into witness protection and given entirely new identities, to a woman whose villain edit on a popular reality TV show stole her future, to people whose lives are upended by immigration, illness, or cultural expectations, Adler names a phenomenon most of us recognize but haven’t had language for. Along the way, he reveals what these extreme experiences can teach all of us about agency, adaptation, and how meaning is made when life doesn’t go according to plan. Brilliant, warm, and told with wildly compelling stories, this paradigm-shifting read offers a new lens for understanding change, personal identity, and our identity-obsessed society, ultimately providing a space for new beginnings and self-discovery when life knocks us off script.
STANDARD, PRIMARY, DM AND VARIANT COVERS
Standard and Primary covers are widely available through general retailers. They often have higher print runs and can be cheaper, especially during sales.
In contrast, Direct Market (DM) and variant covers are primarily sold in comic shops. DM editions tend to have more limited availability and may be more valuable to collectors.
The main differences lie in artwork style, availability, price, and collector appeal. Ultimately, the choice between standard and variant covers depends on personal preference, budget, and individual collecting goals.
PRODUCT TYPES
Comic book enthusiasts have various formats to choose from when collecting their favorite stories.
Here's a brief overview of the main types:
Omnibus
- Large, hardcover collections
- Usually contain complete runs or extensive story arcs
- Typically 800-1000+ pages
- Higher price point, often €100-€150
Oversized Hardcover (OHC)
- Similar dimensions to omnibus, but thinner
- Collect shorter runs or story arcs
- Usually 300-600 pages
- Priced between €30-€50
Hardcover (HC)
- Standard-sized hardcover books
- Collect 6-12 issues typically
- Similar dimensions to single issues, but with a hard cover
- Priced around €25-€35
Trade Paperback (TP)
- Softcover collections
- Standard comic book size
- Usually collect 4-6 issues
- Most affordable option, typically €15-€25
Other Formats
- Absolute Editions: Oversized, deluxe hardcovers (mainly DC Comics)
- Compendiums: Massive paperback collections
- Graphic Novels (OGN/GN): Original stories not previously released as single issues
The choice between these formats often depends on personal preference, budget, and collecting goals. Omnibus and OHC editions offer larger artwork and more content but at a higher price, while TPs provide a more affordable way to collect complete story arcs